My family and friends encouraged me to keep going, to develop my art. My parents especially gave me guidance, praising me, of course, and giving me ideas of what things to paint. They also gave me constructive criticism and helpful hints on how to improve my craft. It also inspired me to know that both my grandmother and great-uncle had been artists. I felt as if I was following in their footsteps.
In public school, there was a weekly art class, and that piqued my interest even further. Eagerly, I absorbed all of the different types of techniques taught to me. I was even introduced to clay, kilns, paper mache, and making collages, but although these things were fun and inspired creativity, they just didn't hold my interest as much as painting did. I suppose one reason for this would be the fact that, except for having assistance in setting up the canvases and paints, I am able to do all the work on my own, and thus, lose myself within the process of making art.
There was about an 8 year gap in receiving any kind of instruction in art. This was both liberating and restrictive. Yes, I enjoyed experimenting with colours, shading, and different styles, and I was confident in the progress of my work. And yet, I felt that I could benefit from some guidance so that I could improve my craft even more.
When I was 18, I heard about Arts Carousel, a non-profit organization whose focus was on giving people with disabilities a chance to realize their creative potential. One of the instructors offered to come to my home and give me 10 free art lessons. His name was Michael Seary, and he was good to his word about giving me the free lessons. In fact, he ended up tutoring me for ten years!
Having an instructor who was an artist himself and being able to give me so much of his time, was a real bonus! I learned a lot more about art than I ever had before. I began experimenting with oils, water colour, acrylics, different grades of paper, and found out, by trial and error, which worked best for me.
Besides teaching me techniques about how to improve my craft, my art instructor arranged for me to show my paintings, first, in a group art show at the CN Tower, and then at several other venues. He also very kindly found someone at U of T who designed a special easel which made painting a great deal easier for me, because it allowed me to be able to turn the picture around and thereby reach all of the areas of the canvas.
As many of you may understand, Vincent Van Gogh and Frida Kahlo were particularly influential and inspirational to me. Both of these famous and brilliant artists provided a window into which it was possible to glimpse snippets of their personal lives. Look deeper still, you can see the workings of their minds, their feelings, their very psyches. If you look at Van Gogh's “The Bedroom at Arles” and “Self Portrait with Bandaged Ear”, his loneliness and mental health troubles become apparent at once. “Henry Ford Hospital” and “Self Portrait with Cropped Hair” are two of Frida Kahlo's masterpieces, and they're both full of raw emotion: loss, anger, and resignation.
I feel that it is very brave for artists to expose such intimate details of their lives within their art. This is something I greatly admire and strive to emulate with my own work.
Recently, I myself, have put my own personal experiences into my art. Eighteen months ago, my husband Rob passed away suddenly, and to deal with my grief, I painted what I felt. Some artist friends of mine told me that they were unable to produce any work after a traumatic event happened to them. I, on the other hand, felt an overwhelming need to paint my terrible pain and sorrow. Some people say, “Oh, this must be very therapeutic for you!” and, certainly, it is.
In most of my self portraits, I am completely naked. To some, this might seem shocking, but it is my intent to: 1) reveal the reality of my life: (It is the norm rather than the exception to have people see me naked on a daily basis). 2) demonstrate to women in our society (either able-bodied or with disabilities) that they should not feel shame or regret when they think about their bodies, but should instead rejoice in their differences. And, 3) to make people understand that just because people have disabilities doesn’t mean that we don’t have the same feelings of sexuality as anyone else.
Having faced terrible prejudice and injustice throughout my life, I have grown sensitive to the plight of other marginalized people. Through my art, I attempt to reveal the continuous battle that people face against societal boundaries just to be able to be themselves and to be able to live the way they want.
Thank you.
It would be my great pleasure now to demonstrate to you how I paint.
Elizabeth's book, simply named “Poems” made her one of the most popular writers in the at the time and, indeed, inspired Robert Browning to write to her, telling her how much he loved her poems. Interestingly enough, Elizabeth had produced a large amount of work and had been writing long before her future husband, Robert Browning, had set pen to paper.
The actual conference I was speaking at was on police brutality. It was, to say the very least, eye-opening and disturbing. On the first day, there was a panel of four people who all talked about how cops had killed members of their families, and had got away with it by covering it up.
Here's my speech:
The action should have only taken 15 minutes, maybe 20 at the most, and then we were supposed to just leave. Unfortunately, as Lenny neared the end of my speech, a bunch of cops burst into the room and dragged Lenny into the hall. Soon, all 11 people, including myself, were unceremoniously corralled into the outer room.
Most people were cuffed and reprimanded by police, although they didn't inform people until much later with what they were being charged. They did try to tell us that people from the Liberal Headquarters had told us to leave, but I sure never heard them. In fact, they had been very helpful to get us inside.
I was told to go sit by a wall. Two people from my group were in front of me, and everyone else was behind me. As if I were invisible or inconsequential, the cops ignored me, and questioned and yelled at everyone else in the room. Eventually, one cop came over asked me if he could look in the bag on the back of my chair for identification, and I shook my head and pointed to my money pouch around my waist. Fortunately, he understood, but I was anxious to get Lenny back with me so that I could communicate more freely and precisely. My two friends in front of me helped me convey this to the cop. I could hear Lenny behind me telling some other cops that it was against Human Rights to keep my communication assistant away from me. I also told them that I needed Lenny with me for other kinds of assistance that day, because I had no one else scheduled to come to my apartment that evening. At that point, the cop actually said to me, "No problem, we'll call an ambulance for you and send you to the hospital." I almost exploded in fury and indignation! I rapidly spelled out on my communication board: "No no no no no! I'm fine! I'm not sick!" I wished I could have conveyed to him exactly how triggering the mere mention of a trip to the hospital was for me! Hospitals are not safe places for people with disabilities. Like prison, you're treated as if you have no rights and no brains with which to think.
Forty-five minutes had passed by this time. I could hear one cop yelling at Lenny and saying it was disgusting how I had been coerced into participating in the action. Lenny defended himself by saying that he had only been doing what I asked him to do, but the cop wouldn't listen. Finally, Lenny was by my side, and I spoke up and said that I had written that speech and asked Lenny to read it. I added proudly, "I am not a pawn!" Why was it so beyond belief for the cops that I might have self-determination and want to stand up for my rights, especially since I would, in all probability, be losing a huge chunk of my monthly income?
It was then that I was charged with trespassing, as was Lenny. We were the only two who didn't also get charged with mischief and have to do a night in jail. I guess because it was too much work for them to find us an accessible paddy wagon and cell. Oddly, sometimes our ableist society sometimes to work in our favour.
Here's my speech from that day:
Dwight Duncan and our government as a whole, do not respect the poor people of this country. They treat us as if we are scum that they scrape off from the bottom of their shoes. But we are people, just like anyone else in this country, and, as such, we deserve to have the same rights. The right to have enough money so that we don't have to be forced to choose between paying rent and eating. The right to have enough money to buy nutritious food so that we can remain healthy and thrive. Most important, we deserve the right to receive enough respect from our government to be assured that the money, which is vital to our very existence, will never be suddenly cut.
Thank you.
Have I finally finished all of my speaking engagements? For now yes, but in May I'll be giving a talk to medical students. As Rob used to say, "For someone who's non-verbal, you sure do talk a lot!"




































